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Post Mortem Photography – Memorial Portraiture

10/2/2013

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Post Mortem Photography, also known as Memorial Portraiture, is the practice of photographing the recently deceased, usually in a way that creates the illusion of life through the posing of the body.

The photos would act as keepsakes, especially if the deceased was a child.

Times, They Change

PictureAn advertisement for post mortem services.
Before the invention of the Daguerreotype, the first commercially successful form of photography, if someone wanted a visual family memento, the typical practice was to get a portrait painted. These were quite expensive and not very many families could afford to commission an artist.

Unfortunately that meant when someone passed it would be up to the memory of the deceased to hold the image of what that person looked like.

With the invention and commercialisation of the photographic process the situation changed somewhat. Now there was a way that an image could be captured and at a much more affordable price. Soon many middle class families were able to keep a lasting memento of their times.

This meant that although cheaper than a painted portrait, a family would still have to save their money for quite some time in order to afford it, and unfortunately that meant that someone was likely to die before the big day finally came around.

For the middle class this was ok, as they could gather up the monies needed to get that one last memorial of their deceased loved one.

Post Mortem Photography

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The earliest post mortem photographs typically showed a close up of the deceased while they were in their coffin, before burial. This soon evolved to full body shots, the deceased dressed in their finest as they lay on a bed.

Before long the photography began to get elaborate. Families would crowd around the corpse to get that much sought after final family photo. This began with the family crowded around a bed, then moved to a seated position with the corpse propped up.

It was not too long before tools were developed to specifically aid post mortem photography. Special racks and stands were created, which allowed the body to stand. Extensions under the limbs allowed different poses to be struck, as the body took on a new, yet still, life.

Make up would be applied, to remove the grey pallor of death, and props, a favourite tool or accessory would be added in to further define their role in life.


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Photos would be taken with the bodies eyes either opened or closed; sometimes a family will opt for both in separate shots. When the eyes were left opened, a curious effect happened, the living seem to look more dead than the deceased. This was due to the fact that during the long exposure, they may blink or the eyes may wander, creating a ghostly appearance whereas the corpse’s eyes stay dead still giving a cleaner image.

Children's photos became especially elaborate, as typically these photographs would become the only shots the family would have of them. Much of the time the photo would include the brother or sister of the deceased, no doubt quite an uncomfortable process for the still living siblings.

As time went on the photographs became less elaborate once again, usually depicting the body back in the coffin, stood up at an angle with the funeral attendees also in frame.

Although the practice that was once very popular in America, England and much of Europe has now pretty much ceased, it is still practiced at times, but is no longer seen as a 'necessity' for capturing and memorialising the dead.

Ashley Hall 2013
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